Game on...on the radio...Mets at Dodgers...fourth, tied 1-1...when I started binge watching Fringe saga movie, I noted the sliced apple glyph with two opposed embryos..."oh, symbolism!"...the two splashes in the pond, their ripples, where the ripples intersect-the fishnet lattice, is the Twins-Yin Yang Bats...clicking echolocation bouncing off things and "seen" with their big ears...sound-waves-ripples-seen...sound and concept...where ever I go, since for awhile, I take note of zero point symmetry, circumpunts, ionic spirals, bilateral symmetry, Master/Mistress of the Animals, these things...and guess I'm seeing a script cignizent of these things...oh, it's like "levitation"...wherever I see stories of levitation, there I see a familiar hand...where I see the Twins, I see a familiar face...so, so, no suprise Fringe is on about Fibonnaci Phylotaxis, the twin whorls, spirals, that join to make the fishnet pinecone fibonnaci latice...beginning with seach: Fringe movie phylotaxis, following seaches found the original easter egg of Fringe...welp, it's hard to relate...I'll let the searches of AI's reached display:
Oh, they're gone!...no harm...needed a spoiler alert anyway!...now, not so...Fringe is a sophistication of things...here's one:
Robert Graves comments on dopplegangers
aaand
Fringe movie dopplegangers apple embryos
Egg hunts...where's the game?...Yamamoto on mound...top of seventh...still Mets 1-Dodgers 1...Angels 7-Yankees 1...final...a halo...and time for a snack...bbk with report...bk...Mets 1-Dodgers 2...
Game on...on the radio...Pajas with three run home run...Mets 0-Dodger 4 at end of four..."sound" is what we "see", concept is what we, what?...make...lost this post at start...wasn't saving...maybe needed entry in title...when I leave google blogger to search google, blogger saves, automatically...anyway, thought is a motif, like the WAS sceptre, is how it "sounds", its concept what we "make"...there is vocabulary for this in linguistics, which I've gone on about...Ohtani up...this where I began before...ground out-3-1...Tucker up...and I want to get back to the Bat Ears, or something...to top of fifth...bbk...
✨️repeating refrains of communication in egyptian art
+9 Repeating refrains in Ancient Egyptian art and communication served as a sophisticated system of stability, sacred magic, and memory. This repetition was not intended to be monotonous, but rather functioned as "algorithmic loops" that reinforced divine order (Ma'at), honored the dead, and facilitated complex communication through standardized iconography. Medium +2 Key repeating refrains in Egyptian communication include: 1. The Repetition of the Name (Soul’s Anchor) • Purpose: To repeat a person’s name in their tomb was to ensure their immortality. • Artistic Function: Names and titles were inscribed over and over on statues, tomb walls, and offering tables to ensure the deceased was constantly remembered and revived. Facebook +1 2. Divine Epithets and Ritual Phrases • Ritualistic Repetition: Religious texts and temple inscriptions, such as those found at the Temple of Seti I at Abydos, show that specific divine titles and formulas were repeated with precise, symmetrical consistency. • Magical Power: This repetition, often called litanies, was believed to have magical power, allowing priests and pharaohs to interact directly with the divine realm. Medium +2 3. Iconographic Formulas (The "Gestural Koiné") • Gestural Codes: Specific gestures were repeated throughout different eras and regions, creating a shared language. Examples include "hands on chest" to signify authority and "palms outwards" to denote adoration. • Standardization: The use of a strict grid system in art ensured that figures maintained identical proportions, making the art, like the hieroglyphs, a reliable and communicative system. YouTube +4 4. Visual Recursion and Spatial Structure • Algorithmic Loops: Similar to modern coding, specific visual symbols and hieroglyphs were arranged in repeated patterns that structured the viewer's interpretation, creating "nested layers of meaning". • Compositional Balance: Scenes were often organized in rows or registers, with figures of gods or the pharaoh repeating in consistent poses to demonstrate eternal power. Medium +2 5. Determinatives in Hieroglyphs • Semantic Repetition: Hieroglyphs often used "determinatives" (symbols at the end of a word to clarify its meaning) that were repeated to emphasize the category of the word (e.g., repeating a divine symbol for divine subjects). Medium +1 These repetitive techniques allowed Egyptians to communicate across generations, linking the earthly world with the divine.
🎶"similar to coding"...a reach is to compare the Egyptians' "coding" with the coding of Fringe, the multi season saga that I have been watching on Disney Plus, an episode per night just before I go to sleep...too violent to recommend...myself, I regard movie violence as cartoonish...why kids like cartoons...double by Hernandez...what appeals to kids still appeals to adults...baseball is a religion for all ages, and people...aaand, millions watch, watching, shows like Fringe...Fringe literally lays an easter egg at each commercial break-some puzzling image-a six fingered hand, a frog with Greek letter on back...bbk...best copysave...must be entering in title...ok now...
✨️The "Fringe" TV show frog glyph features the Greek letter Phi (
) on its back. This symbol represents the Golden Ratio (
), which is a recurring mathematical theme in the show, particularly linked to Walter Bishop’s research and the series' hidden, solvable, episode-specific easter egg puzzles.
🎶hmmph...go figure...phylotaxis?...
Fringe phylotaxis??...bbk...
🎶Ohtani up...ground out...
✨️fringe movie phyllotaxis
+4
In the television series Fringe, phyllotaxis (the arrangement of leaves on a plant stem) is not a central plot point, but it is heavily linked to the show's underlying mathematical and biological themes, specifically through its glyphs and the Fibonacci sequence.
Fibonacci and Phyllotaxis: The Fibonacci sequence, which dictates the spiral phyllotaxis in many plants, is represented in the Fringe glyphs. The Horn glyph is depicted as a Fibonacci spiral, and the Seahorse glyph also features this spiral and is associated with the Golden Ratio.
The Leaf Glyph: One of the eight main symbols (glyphs) seen before commercial breaks is a leaf that features a triangle or "Delta" symbol. This glyph is often linked to the botanical themes explored in the show, such as in the pilot episode.
The Flower Glyph: Another related glyph shows a flower where some petals are replaced with dragonfly wings, highlighting the show's blend of nature and unnatural elements.
General Math Themes: The show often references nature, science, and the Golden Ratio as a recurring theme, connecting the "fringe" occurrences to the fundamental "pattern" of the universe.
🎶that's an AI reach!...but, it does characterize
Fringe easter eggs...there are Fringe break downs,
but I haven't found one, some, I like...tired...
leave off and settle in for night...watch Fringe..
Mets 0-Dodgers 4 thru seven...bk w score...
Mets 0-Dodgers 4...hmmph...didn't miss the last.
..Angels 10-Yankees 11...that game was close
run...walk off by Yankees...Trout has two homeruns...ended his slump...Angels scoring
At the smog test:...searches happened on something I'v gone on and on before...Egyptian Art as Computer Program...well, wait...let's see that...no luck...I mean, it is literally a program...bbk...
🧐The Hidden Graphical Structure of the Ancient Egyptian Thought | by ELGN | Medium https://share.google/pbJPinHR0XfYsudd3
Decades earlier, another researcher, armed with nothing more than sketches, magnifying glass, and a fragile Rosetta Stone fragment, had stood in the sun-drenched courtyard of Rosetta, deciphering the interplay of phonograms and ideograms. Hours turned into nights, and nights into weeks, as each small realization cascaded into understanding, that a single symbol could be both sound and concept. And a simple determinative could disambiguate complex meaning. There, in one dramatic moment, a colleague’s calculation revealed that the repetition and placement of symbols followed a precise grid, one that ensured proportion and legibility even when the murals stretched over thirty meters of wall. Here, the researcher glimpsed the profound intelligence encoded within the Egyptian visual system — a hybrid of graphical art, typo grids, spetial characters’ logic and a language‘s ’logic, each reinforcing the other in perfect balance. Indeed, such revelations transformed Egyptology from a study of antiquities into an exploration of cognition itself.
🎶"a single concept could be sound and concept"...everything is interdependent-fractal like-wherever you look, takes you into connections of their cosmology...here's a thought: there are Egyptian scrolls that are very long...
Games On...on the radio...Ohtani up...way back...Home Run...back to back with lead off yesterday too...Rangers 2-Dodgers 1...bottom of first...so, so, I have a side by side by side...Yin Yang Bats/Two frogs splashes in the pond/Sunflower Twins-Fibonnaci Spirals... we go the second...bbk...lost in facebook search: yin yang bats....I thought they were a specific species, but no, yin yang refers to all bats, 80 per cent have one kind of hearing, yin, the other 20 another, yang...Egyptian tomb bats echolocate, which makes them yang...I think...I found this looking for Egypt WAS sceptre:
I'm wondering if it is a bat...echo locating bats' ears have those ribs...now I'm wondering about the rib like ties, somethings, on the Ankh and Djed seen here!...🍿
🎶comment left...post has pics, shows the WAS sceptre animal, aaand here a long AI on the WAS Animal
Archaeologists' comments on WAS sceptre
Rangers with a home run, top of third...
✨️Archaeologists interpret the Was sceptre(wꜣs) as a primary ancient Egyptian symbol of divine power, dominion, and sovereignty, appearing from the First Dynasty through the Roman period. Frequently held by gods (especially Set, Anubis, and Osiris) and pharaohs, it represents control over chaos (isfet) and support for divine order (maat).
Key Archaeological Interpretations and Findings:
Symbolism & Function: It is designed as a staff with a forked base—likely representing the legs of a desert animal—and a top fashioned as the head of the "Set animal" (a canine or unidentifiable beast). It embodies strength, authority, and and acts as a magical tool for protection.
Physical Makeup: Archaeologists have found examples constructed from wood, faience, and sometimes precious metals. While often depicted, actual physical examples, such as those made of faience, have been discovered, sometimes with alternating bands of blue and gold.
Origin Theories: Some scholars suggest the staff evolved from a shepherd’s crook (heqa staff), a walking stick, or a, representing control and, in some theories, having connections to African bull cults (e.g., as a dried, stylized, and preserved bull's penis).
Usage: It was used to bestow the power of "well-being" and "dominion" upon the deceased in funerary contexts, appearing on tomb walls and in coffins.
Recent Discoveries: In 2020, archaeologists, including Prof. Yosef Garfinkel, reported discovering a 3,200-year-old bronze-and-silver plated, spatula-like object in a Canaanite temple at Lachish, which they identified as a Canaanite version of the Was scepter, potentially associated with life-sized statues of gods.
The sceptre was often paired with other symbolic, such as the Ankh (life) and Djed (stability).
🎶"forked base represents legs"...that supports my guess the fork is the Egypt bat's hands, that have evolved into one thing, a kinda hook...from which they hang...they look like the SET animal, and fit the Set attributes-chaos-scared bats...Set is the Yang to Horus' Yin...Rangers tie it up...aand bases loaded...
✨️Horus and Set represent a fundamental Egyptian duality, often viewed as a yin-yang dynamic of order versus chaos. While rivals for the throne, they are complementary, embodying "The Two Lords" necessary for a balanced cosmos. They are sometimes depicted together tying papyrus and lotus around the sema-sign, symbolizing unity.
Key Aspects of the Horus-Set Duality:
Complementary Opposites: Horus represents order, sky, and kingship, while Set represents chaos, storms, and the desert. Like the yin-yang, they possess aspects of each other, where one force enables the other's existence.
The Mythological Contendings: Their 80-year battle for the throne, detailed in the Chester Beatty Papyrus I, involved competition, trickery, and transformation, often highlighting their equal power.
Balancing the State: Egyptians viewed the pharaoh as embodying both forces, balancing the chaos and order in the land.
Symbolic Unity: Despite their violent rivalry, they are depicted on thrones uniting the Two Lands (Upper and Lower Egypt).
The Eye Symbolism: The conflict included the destruction of Horus's eye (often associated with the moon) and the injury of Set, symbolizing the wounding of the world, which is later healed or restored.
While in many depictions Set is considered the villainous force, some interpretations argue that the duality of Horus and Set is necessary to create a whole, akin to the balance of day and night.
🎶Rangers 2-Dodgers 1...bottom of three...it's deep weeds trying to go on and on about yin yang...good and evil...Ohtani up...on base in 46 straight games...Ron Cey with 47...Duke Snyder 58...Night is scary...Greek gods of Day and Night...ball four...
✨️In Greek mythology, Hemera is the primordial goddess of the Day, while her mother, Nyx, is the goddess of the Night. They are distinct, ancient forces (Protogenoi) who live in Tartarus and alternate passing over the earth, with Hemera dispersing the mists of her mother, Nyx, every morning.
Key Details About Day and Night in Greek Myth:
Hemera (Day/Dies): She represents the daytime, emerging from the underworld as her mother leaves, often depicted as a radiant figure bringing light.
Nyx (Night): The ancient goddess of the night, who brings her dark veil across the sky, often regarded as one of the most powerful and feared primordial deities.
The Cycle: According to Hesiod's Theogony, they never share the same space simultaneously, constantly passing each other at the threshold of the underworld.
Origin: Both are children or forces related to Erebus (Darkness) and share the duty of creating the 24-hour cycle, long before Olympian gods like Apollo were associated with the sun.
Hemera is sometimes conflated with Eos (Goddess of Dawn) or Hera in later myths, but as a primordial deity, she is the literal embodiment of daylight.
🎶Protogenoi..."never share the same space"
...two curios...baserunning blunder...
to top of four...
✨️The Protogenoi (or Primordials) are the first generation of Greek deities, emerging from the void of Chaos to form the fundamental fabric of the universe, such as Earth, Sky, Sea, and Time. Unlike later anthropomorphic gods, they are elemental beings representing physical, natural, and cosmic forces rather than human characteristics.
🎶hmmph...a lookup has been the Pauli Principle
...here the opportunity!...
✨️The concept that one thing cannot occupy the space of another is primarily explained in physics by the Pauli Exclusion Principle, which states that no two fermions (like electrons, protons, or neutrons) can occupy the same quantum state simultaneously. This is why solid matter feels solid and objects cannot simply pass through one another.
Here are the key aspects of this principle:
Electron Repulsion: The electrons orbiting atoms possess a negative charge, and when atoms approach each other, their electron clouds repel, preventing them from occupying the same space.
Fundamental Stability: It prevents all electrons in an atom from crashing into the lowest energy level, allowing atoms to have structure, which enables all chemistry and material existence.
Solid Objects: It explains why you cannot put your hand through a wall; the atoms in your hand cannot occupy the same spatial position as the atoms in the wall.
Fermions vs. Bosons: This rule applies specifically to fermions (matter particles). Bosons (force particles like photons) can share the same space, allowing light beams to pass through each other.
While atoms are mostly empty space, the electromagnetic forces and the quantum behavior of electrons ensure that macroscopic objects hold their structure and maintain their own, distinct space.
🎶hmmph...gods personified science, back then...and got conflated into stories...
the stories from fiction to fact...
✨️That perspective aligns closely with several theories in anthropology and history, particularly euhemerism, which suggests that gods and myths often originated as distorted stories of historical figures, celestial events, or natural phenomena that were personified over time.
In the ancient world, before modern scientific methods were developed, myth was the framework for understanding, documenting, and conveying complex observations about the world.
Here is how ancient stories acted as "personified science" and the journey from fiction to (perceived) fact:
1. Personification of Natural Forces
Weather and Geology as Deity: Natural phenomena were often too complex or terrifying for ancient people to understand through mechanisms. They personified them to make them relatable. For example, Poseidon was not just the sea; he was the personification of the sea’s destructive power, responsible for earthquakes.
The Sun and Cycles: Apollo and Helios were personifications of the sun. The myth of Helios driving a chariot was a poetic explanation of the sun’s daily journey across the sky.
Creation Myths as Science: Ancient Greek mythology, such as in Hesiod’s Theogony, explained the origin of the universe ("cosmogony") by describing the emergence of Gaia (Earth) and Uranus (Sky) from Chaos.
2. Distortion of Historical Facts (Euhemerism)
Heroic Figures as Gods: According to the theory of euhemerism, many gods were originally great kings, rulers, or explorers whose lives were exaggerated over generations until they were deified.
Real Events as Myths: Stories like the Great Flood (found in the Bible and the Epic of Gilgamesh) may have originated from real catastrophic flooding at the end of the last Ice Age.
The Amazons: Greek myths about fierce warrior women were long considered pure fiction, but archaeological discoveries of Scythian women buried with weapons suggest a basis in real nomadic cultures.
3. The Shift from Fiction to Fact
Symbolic Meaning: For the people who created them, these stories were not meant to be "falsehoods" or simple entertainment. They were "subjective truths" that explained their reality, provided moral guidance, and organized their society.
The Loss of Context: Over centuries of oral tradition, the original context of a story was lost, and the metaphor was taken literally, turning a poetic description of nature into a literal "god".
Ritual and Memory: Myths were often created to explain rituals whose original meanings had been forgotten.
In this sense, ancient mythology was a form of "protomagic" or "early science"—a way for humans to connect with their environment and manage their fears in a world filled with unknowns.
🎶euhemirisim...hmmph...telescoping...that's like what AI said of Robert Graves unraveling myths, in fact, in his Greek Myths books, he goes on about the different attributes of myth in the Introduction, if I remember right...stories are pudding stones of fact and fiction...
✨️
..stories are pudding stones of fact and fiction...
+3
This phrase is a metaphor comparing narratives to pudding stones (a type of conglomerate rock), illustrating that stories are rarely pure, but rather a blend of different materials fused together.
Pudding Stone Definition: Pudding stone is a sedimentary rock (conglomerate) consisting of rounded pebbles (clasts) cemented together in a finer matrix, resembling a plum pudding.
The Metaphor: Just as a pudding stone takes diverse, separate materials (jasper, quartzite, quartz) and binds them into a single, cohesive solid, stories take facts (events, people, places) and fiction (imagination, interpretation, narrative structure) to create a new, singular, blended "reality".
Fact and Fiction: The "pebbles" represent distinct facts, while the "matrix" that binds them is the storytelling, which may fill gaps and connect them, blending them into a single, solid narrative.
In essence, the metaphor implies that stories are formed through a process of accretion—layering truth with imagination over time—making them a unique, sometimes unrecognizable, combination of the two.
Robert Graves pudding stone
🎶Ohtani up...I'm missing a great game!...aaand they walk Ohtani...Tucker up...two Dodgers on base...looking for a timely hit...overcast in socal...rain this morning...
found this on pudding stones-a neat blog!
https://share.google/JUkIxuROHzods6II6
The how these things are made is in that hot taffy factory beneath our feet...geology is the university of the universe...
✨️Geology is often described as the study of the Earth, encompassing its structure, composition, physical properties, and the history of its evolution over 4.6 billion years. It acts as a foundational science, frequently referred to as the "liberal arts" of the sciences because it integrates principles from mathematics, physics, chemistry, and biology to understand Earth's interconnected systems.
🎶Rangers score a run..
.to bottom of fifth...Reds at Angels. ?..
.Angels 9-Reds 6...a halo...The bats
of Egypt bring mention of goddess Bat,
who resembles Hathor-no connection to Bats...aaand, then there's baseball bats...
time for outandabout snack...bbk with score...
BK. Rangers 5- Dodgers 2...
Liberal Arts pudding stone
a distinctive sedimentary conglomerate rock containing rounded, colorful pebbles ("fruit") embedded in a finer-grained, cemented matrix ("cake").
