Open to Interpretation
#Yin Yang Bats
Games On...on the radio...Ohtani up...way back...Home Run...back to back with lead off yesterday too...Rangers 2-Dodgers 1...bottom of first...so, so, I have a side by side by side...Yin Yang Bats/Two frogs splashes in the pond/Sunflower Twins-Fibonnaci Spirals... we go the second...bbk...lost in facebook search: yin yang bats....I thought they were a specific species, but no, yin yang refers to all bats, 80 per cent have one kind of hearing, yin, the other 20 another, yang...Egyptian tomb bats echolocate, which makes them yang...I think...I found this looking for Egypt WAS sceptre:
🧐https://m.facebook.com/story.php?story_fbid=pfbid022nxA1vTmhRDDgDpidc6inkhizhi9B9bJAr5c92DSJEwfoJYw6yiMaSvYQ15D4gc7l&id=100044499887799&sfnsn=mo&mibextid=6aamW6
I'm wondering if it is a bat...echo locating bats' ears have those ribs...now I'm wondering about the rib like ties, somethings, on the Ankh and Djed seen here!...🍿
🎶comment left...post has pics, shows the WAS sceptre animal, aaand here a long AI on the WAS Animal
Archaeologists' comments on WAS sceptre
Rangers with a home run, top of third...
✨️Archaeologists interpret the Was sceptre (wꜣs) as a primary ancient Egyptian symbol of divine power, dominion, and sovereignty, appearing from the First Dynasty through the Roman period. Frequently held by gods (especially Set, Anubis, and Osiris) and pharaohs, it represents control over chaos (isfet) and support for divine order (maat).
- Symbolism & Function: It is designed as a staff with a forked base—likely representing the legs of a desert animal—and a top fashioned as the head of the "Set animal" (a canine or unidentifiable beast). It embodies strength, authority, and and acts as a magical tool for protection.
- Physical Makeup: Archaeologists have found examples constructed from wood, faience, and sometimes precious metals. While often depicted, actual physical examples, such as those made of faience, have been discovered, sometimes with alternating bands of blue and gold.
- Origin Theories: Some scholars suggest the staff evolved from a shepherd’s crook (heqa staff), a walking stick, or a, representing control and, in some theories, having connections to African bull cults (e.g., as a dried, stylized, and preserved bull's penis).
- Usage: It was used to bestow the power of "well-being" and "dominion" upon the deceased in funerary contexts, appearing on tomb walls and in coffins.
- Recent Discoveries: In 2020, archaeologists, including Prof. Yosef Garfinkel, reported discovering a 3,200-year-old bronze-and-silver plated, spatula-like object in a Canaanite temple at Lachish, which they identified as a Canaanite version of the Was scepter, potentially associated with life-sized statues of gods.
- Complementary Opposites: Horus represents order, sky, and kingship, while Set represents chaos, storms, and the desert. Like the yin-yang, they possess aspects of each other, where one force enables the other's existence.
- The Mythological Contendings: Their 80-year battle for the throne, detailed in the Chester Beatty Papyrus I, involved competition, trickery, and transformation, often highlighting their equal power.
- Balancing the State: Egyptians viewed the pharaoh as embodying both forces, balancing the chaos and order in the land.
- Symbolic Unity: Despite their violent rivalry, they are depicted on thrones uniting the Two Lands (Upper and Lower Egypt).
- The Eye Symbolism: The conflict included the destruction of Horus's eye (often associated with the moon) and the injury of Set, symbolizing the wounding of the world, which is later healed or restored.
- Hemera (Day/Dies): She represents the daytime, emerging from the underworld as her mother leaves, often depicted as a radiant figure bringing light.
- Nyx (Night): The ancient goddess of the night, who brings her dark veil across the sky, often regarded as one of the most powerful and feared primordial deities.
- The Cycle: According to Hesiod's Theogony, they never share the same space simultaneously, constantly passing each other at the threshold of the underworld.
- Origin: Both are children or forces related to Erebus (Darkness) and share the duty of creating the 24-hour cycle, long before Olympian gods like Apollo were associated with the sun.
- Electron Repulsion: The electrons orbiting atoms possess a negative charge, and when atoms approach each other, their electron clouds repel, preventing them from occupying the same space.
- Fundamental Stability: It prevents all electrons in an atom from crashing into the lowest energy level, allowing atoms to have structure, which enables all chemistry and material existence.
- Solid Objects: It explains why you cannot put your hand through a wall; the atoms in your hand cannot occupy the same spatial position as the atoms in the wall.
- Fermions vs. Bosons: This rule applies specifically to fermions (matter particles). Bosons (force particles like photons) can share the same space, allowing light beams to pass through each other.
- Weather and Geology as Deity: Natural phenomena were often too complex or terrifying for ancient people to understand through mechanisms. They personified them to make them relatable. For example, Poseidon was not just the sea; he was the personification of the sea’s destructive power, responsible for earthquakes.
- The Sun and Cycles: Apollo and Helios were personifications of the sun. The myth of Helios driving a chariot was a poetic explanation of the sun’s daily journey across the sky.
- Creation Myths as Science: Ancient Greek mythology, such as in Hesiod’s Theogony, explained the origin of the universe ("cosmogony") by describing the emergence of Gaia (Earth) and Uranus (Sky) from Chaos.
- Heroic Figures as Gods: According to the theory of euhemerism, many gods were originally great kings, rulers, or explorers whose lives were exaggerated over generations until they were deified.
- Real Events as Myths: Stories like the Great Flood (found in the Bible and the Epic of Gilgamesh) may have originated from real catastrophic flooding at the end of the last Ice Age.
- The Amazons: Greek myths about fierce warrior women were long considered pure fiction, but archaeological discoveries of Scythian women buried with weapons suggest a basis in real nomadic cultures.
- Symbolic Meaning: For the people who created them, these stories were not meant to be "falsehoods" or simple entertainment. They were "subjective truths" that explained their reality, provided moral guidance, and organized their society.
- The Loss of Context: Over centuries of oral tradition, the original context of a story was lost, and the metaphor was taken literally, turning a poetic description of nature into a literal "god".
- Ritual and Memory: Myths were often created to explain rituals whose original meanings had been forgotten.
- Pudding Stone Definition: Pudding stone is a sedimentary rock (conglomerate) consisting of rounded pebbles (clasts) cemented together in a finer matrix, resembling a plum pudding.
- The Metaphor: Just as a pudding stone takes diverse, separate materials (jasper, quartzite, quartz) and binds them into a single, cohesive solid, stories take facts (events, people, places) and fiction (imagination, interpretation, narrative structure) to create a new, singular, blended "reality".
- Fact and Fiction: The "pebbles" represent distinct facts, while the "matrix" that binds them is the storytelling, which may fill gaps and connect them, blending them into a single, solid narrative.
