Saturday, April 11, 2026

Yin Yang Bats:OTI:April 11, 2026

 Open to Interpretation

#Robert Graves comments on Bats

#Yin Yang Bats

Game on...on the radio...top of ninth...Rangers at Dodgers...Rangers 3-Dodgers 6...all safe...E5...one out...K...down to last out...

✨️Robert Graves (1895–1985) often used imagery of bats in his poetry to evoke themes of darkness, mystery, the subconscious, and the unsettling, "uncanny" nature of the natural world. His depictions frequently lean toward the menacing or the magical, particularly in his earlier work, where they often symbolize older, untamed, or pagan forces lurking at the edges of human consciousness. 

Key Comments and Imagery in Graves' Poetry:
• "Outlaws" (1918): In this poem, Graves associates bats with darkness and the lingering power of forgotten, "malign" forces.
• He writes: "Owls: they whinney down the night / Bats go zigzag by. / Ambushed in shadow out of sight / The outlaws lie.".
• He portrays them as part of a "moving sea of black" in the woods, "greedy of human stuff to snare / In webs of murk.".
• They are described as "aged gods... Shrunk to mere bogey things," representing a spooky, almost malevolent force.
• "Ghost Music" (1917): In this poem, Graves compares the "ghosts of long-dead melodies" to bats hanging in a belfry, setting a somber, melancholic, and somewhat unsettling tone, describing them as "drowsy-sweet" yet "huddled there in harmony / Like bats at noontide rafter-hung.".
• Symbolism of the Uncanny: In his poetic and analytical work, such as The White Goddess, Graves frequently delves into themes that are hidden, nocturnal, and irrational. Bats align with this, appearing in his poetry as creatures of the "dark," "wet woods", which contrast with rational, "daylit" thought. 
Voetica +4
Distinction from Other Poets:
While another poet, Theodore Roethke, famously described bats as having a "human face" and being a "cousin to the mouse", Graves’ use of bats is more heavily centered on the "ambuscade" (ambush) and "nets of shade," emphasizing their role as watchers or "outlaws" in the dark. 
Voetica +1

🎶K...Rangers 3-Dodgers 6

Tourists comments on Egyptian Bats

🎶consensus seems they're cute...searches found this about one mummified bat in all of Egyptian history...by AncientArchetecs...

🧐https://youtu.be/hmOWi_eFgdY?si=-6RLCzc3cJebEakV

✨️Egyptian fruit bats (
) are often described by tourists and nature enthusiasts as surprisingly "adorable" or "cute," with large eyes and dog-like faces, rather than spooky. While some visitors to Egypt have been surprised to see large numbers of them flying around high-rise hotels in Cairo, they are generally viewed as gentle nighttime gardeners crucial for the ecosystem.


🎶too much to be quoting AI...easy way...but, 
it's so curious...Robert Graves comments...
on Dracula...bbk...no luck...Movie monster 
triad is Dracula, Werewolf, Frankenstein...

Robert Graves comments on Werewolves

✨️Robert Graves discussed werewolves in the context of ancient Greek mythology and ritual, specifically highlighting the Arcadian tradition where men became wolves. He described these transformations as being linked to rituals involving human sacrifice and the consumption of human entrails, after which the individuals would live as wolves for several years before returning to human form. 
Doris V. Sutherland
Key insights on Graves' views:
• Arcadian Lycanthropy: Graves detailed the story of Lycaon's descendants in Arcadia, where a participant in a ritual feast would become a werewolf, herding with wolves for eight years.
• Reversion Rule: Graves noted that a werewolf could return to human form if they abstained from eating human flesh during their eight-year exile.
• Mythological Context: These comments primarily appear in his analysis of Greek myths, focusing on the anthropological and ritualistic roots of the werewolf legend.
• Ritualistic Transformation: Graves' focus was on the ritualistic, almost shamanic, aspect of becoming a wolf rather than the supernatural "curse" typical of modern pop culture. 
Doris V. Sutherland


Robert Graves comments on Frankenstein



🎶Mary wrote Frankenstein

(Note: watched Fringe after, Marionette 
episode 9 season 3-a take on 
Frankenstein...aaand, looked up 
Miranda Seymor, she has biographies of
Mary Shelly and Robert Graves, and many
other books!!!)


✨️The author 
Robert Graves
’ most notable connection to 
Mary Shelley
 is his personal interest in her 
life and work, which influenced his 
own literary circle and later biographies. 
He notably compared his
 partner Laura Riding to 
Shelley, suggesting that both 
women were central to the 
production of great novels—though 
in Graves’ view, Riding's influence 
was more indirect, serving as the
 necessary muse for his own work 
in a way that mirrored the intense
 creative environments Shelley 
inhabited. 
The Hudson Review +3
Graves' perspective on Shelley often 
filtered 
through his broader fascination 
with the Romantic era and
 the "Shelley spirit": 
• Creative Influence: Graves viewed
 the creative partnership of Percy 
and Mary Shelley as a template
 for his own intense, often difficult 
literary collaborations.
• The Biographer's Lens: Graves 
himself was the subject of a biography 
by Miranda Seymour, who also 
wrote an acclaimed biography of 
Mary Shelley. This shared
 biographical focus highlights Graves' 
role as a link in the ongoing literary 
reassessment of the Shelley circle.
• Romantic Myth-Making: Much
 like Graves sought "emotional truth" 
over strict accuracy in his own 
historical works like I, Claudius or 
The Greek Myths, he was drawn to 
the dramatic and often macabre 
myths surrounding the Shelleys, 
such as the story of Mary retaining 
Percy's heart after his cremation. 
The Hudson Review +4
While Graves did not write a 
standalone critical treatise on 
Shelley, his private letters and 
autobiographical reflections often
 return to the "troubled" and "tragic" 
nature of her life as a source of poetic
 inspiration. 
WordPress.com +1
Would you like to explore more 
about Graves’ own historical novels
 or his relationship with other 
Romantic-era poets?
The One Story of Robert Graves | 
The Hudson Review

The Hudson Review

🎶Graves seems to regard Muses 
as a shamanic, maybe manic!,
 ingredient of poetry...
that IS in the Tradition!...
"outlaws"..."scared like bats"...
AI drops things-a Frankenstein muse...
didn't get to the Yin Yang bats...

:)
DavidDavid



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